EXHIBITIONS

CURRENT EXHIBITIONS

InJung Oh

InJung Oh is Chicago-based artist known for her abstract oil paintings and sculptural forms, both of which are often brimming with symbolism. Utilizing a diverse array of materials, she strives to capture the essence of the relationship between life and body.

Oh was born in South Korea in 1982 and immigrated to the US at the age of 13. She earned both her MFA (2009) and her BFA (2005) from the School of the Art Institute of
Chicago with an emphasis in Painting and Drawing, receiving a Full Merit Scholarship (2001-2005) and Fellowship in Honor (2005). After graduation, Oh continues to exhibit widely in Chicago and abroad.
She has had solo exhibitions at Union League Club of Chicago, Zhou B Art Center (Chicago), Ed Pachke Art Center (Chicago), MIIT Museum (Turin), and Bluerider Art Gallery (Taipei). Over a decade ago, Oh created “Volossom,” or “Blossom as a Manifestation of Wish or will.” Over the years, the “Volossom” project has expanded beyond the scope of one artist, growing to encapsulate numerous community engagement projects. Oh continuously explores the intricate relationship between life, its process, and its manifestation.

InJung Oh

Innerscape, Innerscape-Phoenix_38_05

Oil on canvas 50 x 42 in

InJung Oh

Reflection

Oil on canvas 30 x 40 in

InJung Oh

The Wish

Oil on canvas 40 x 30 in

InJung Oh

Innerscape_WP_38_07

Oil on paper 24 x 18 in

InJung Oh

Leaves of Life- Serendipity

Oil on canvas 60" x 108" Three 60" x 36" panels together

InJung Oh

VM_35_42

Canvas sculptural painting, mixed media 12 x 15 x 9 in

InJung Oh

Innerscape, VM_38_09

Oil on canvas 42 x 60 in

InJung Oh

Leaves of Life VIII, VM_38_05

Oil on canvas 24 x 48 in

InJung Oh

InJung Oh

Canvas sculptural painting, mixed media 18 x 18 x 9 in

Statement

InJung Oh’s paintings and sculptures exist as spaces where symbols and abstractions are animated with meaning. Oh creates psychological moments of reflection and balance in the face of a world filled with various tensions: gendered, cultural, and spiritual. She explores and disentangles complicated multiplicities, particularly those pertaining to her identity. Raised in a traditional Korean family, she now lives with a Chinese family in a Western society. In her work, Oh reaches beyond preexisting symbols; she creates them.
One of Oh’s recurring and distinctive symbols is a visual representation of the female figure as a beacon for herself. Envisioning the female figure floating in the sky, akin to a blooming flower, Oh started her “Volossom” project. In English, the prefix “vol” means wish or will. By combining “vol-” and “blossom,” the artist gives the word the meaning of “blossom as a manifestation of wish or will.”

The sense of balance she seeks is also dependent upon the physicality of her work. In her Sculptural Painting series, Oh cuts incisions into the canvas and dips it in many layers of media to gradually solidify the material. She allows gravity to transform the form into a sculpture, thus transcending the traditional flatness of a painting.

Breath is carefully used to create her “Leaves of Life series,” where she blows colors across canvas. For Oh, the concentration it takes to control her breath is meditative, filling the moment with peace. The concept of release is consistent throughout all these works, allowing the artist to manifest her inner thoughts and explorations into strokes and colors.

“Art is one of the most precious objects that feeds our lives and we need to feed off of art to balance life.”​
INJUNG OH